National Visions, National Blindness: Canadian Art and Identities in the 1920s by Leslie Dawn

National Visions, National Blindness: Canadian Art and Identities in the 1920s by Leslie Dawn

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M251S

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National Visions, National Blindness: Canadian Art and Identities in the 1920s by Leslie Dawn8vo. pp. viii, 446. b&w illustrations. bibliography. index. bds. [Vancouver]: UBC Press, [2006]. ISBN: 9780774812177 2008, Winner Raymond Klibanksy Prize, The Canadian Federation for the Humanities and Social Sciences In the early decades of the twentieth century, Canada sought to define itself as an independent dominion with allegiance to the British Empire. The visual arts were considered central to the formation of a distinct national identity, and

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This poem represents Merwin at his insidious best, the conversational tone of the poem slowly leading to something imminently and undefinably dark, doom-laden. The poem was originally published in "The Lice" a book of poems written in the French countryside where, Merwin says, "I felt at once a profound attraction to the rural world in which I was living and a disquieting recognition of the fragility and uncertainty of my relation to it." "The Last One" ominously conveys that disquiet.

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Reviewed in the United States on May 12, 2011

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Kenneth R. Davis

Natrona Heights, US

★★★★★ 5

Five Stars

Format: Paperback

I have many books by Mr Merwin and I like the Budhist mindset that shines through.

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Reviewed in the United States on June 19, 2016

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